 
INTRO
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SYNOPSIS & STILLS
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DVD
DVD AVAILABLE NOW 
THE
THIEF OF LOVE
A
Lyric-Comic Opera in Three Acts
by
Sheila Silver
(Note:
click pictures to open a new window that shows a larger
version...)
The Thief of Love is a contemporary love story set in
ancient India. Vidya is beautiful and brilliant and
has vowed to marry any man who can defeat her in debate.
Sundar is handsome and cunning and fearing the humiliation
of defeat resorts to disguise and playful trickery to
seduce her. From the erotic bedroom scene to the spectacular
choral chant scene, the opera is filled with magic mystery,
passion, and, of course, true love.
Based
on the classic 18th century Bengali court tale as told
by Bharatchandra, Silver's libretto draws on many sources
including Indian erotic poetry, Sikh prayer mantras,
and the works of Rabindranath Tagore.
Read
the full review published in the March-April 2007 edition
of American Record Guide.
SEE
MOVIE TRAILER
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Set design
by Phillip Baldwin

Sundar
tries to seduce Vidya.

The King
has a plan to discover
if the intruder is "god, demon, or man."
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PRODUCTIONS
New York City Opera featured an hour
of excerpts in its Showcasing American Composers Series in
May 2000.
The World Premiere production by the Stony
Brook Opera occurred on March 9 and 11, 2001 at the Staller Center for
the Arts, sponsored by the Department of Music, the Center for India Studies,
and the Staller Center for the Arts at Stony Brook University.
- Conductor: David Lawton
- Director: Ned Canty
- Set Design: Phillip Baldwin
- Costumes: Sarah Iams
- Lighting: Elizabeth Silver
Principle Cast
- Vidya: Gwendolyn Hillman
- Sundar: James Brown
- Hira: Manami Hattori
- King/God: Michael Douglas Jones
- Queen:
Myeongsook Park
"Standing ovations confirmed
that the full-house audience had been thoroughly won over by the opera."
India Abroad
International Newspaper
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Synopsis
with Stills:
The
action takes place in a mythical kingdom in ancient India.
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The ascetic sannyasi
challenges Vidya to debate.
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Act
1, Scene 1
The beautiful and brilliant Princess of
Knowledge, Vidya, genuinely wanting to find
a husband who is smart enough for her, has
vowed to marry any man who can defeat her
in debate. As the curtain rises, she is
in the middle of defeating yet another challenger.
Her parents, angry and fearful that she
will never find a husband, urge her to let
the next one win. She refuses, insisting
that she deserves a man who is truly her
equal. Then, to everyone's shock, a frightening
ashen-smeared ascetic sannyasi enters and
challenges Vidya to debate. He declares
that if he wins, she must become an ascetic
and follow him begging for the rest of her
life.
As the crowd disperses, the sannyasi follows
Hira, flower woman to the palace and confidant
to Vidya. Alone with her, he removes his
elaborate disguise and reveals himself to
be Sundar, Prince of Kancipur. Years ago
Hira was his nursemaid. Tenderly the two
are reunited and Sundar tells her of his
desire for Vidya and his fear of humiliation
if she were to defeat him in debate. Hira
agrees to help and tells him about an unknown
secret tunnel leading to Vidya's chambers.
Planning to enter Vidya’s chambers
through the tunnel that night, Sundar composes
a mysterious love poem to be delivered to
Vidya with flowers. This, he hopes, will
arouse her desire, weaken her resistance,
and prepare her for his nocturnal visit.
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Vidya and Maids
recoil in
fear at the intruder.
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Act
1, Scene 2
Vidya
is in her chambers studying for the upcoming
debate. Hira brings the flowers and the
love poem, which produce the desired effect.
The Princess and her maids sit down for
the evening prayer, chanting to the goddess
Kali. In the middle of the chant strange
knocking sounds are heard, the room shakes--they
fear it is the goddess' anger. Tension rises
until Sundar bursts in through the floor.
Sundar is so handsome the maids are convinced
that he is a god incarnate, but Vidya suspects
that he is the author of the seductive poem
she received earlier. The maids are eventually
dismissed, and Sundar and Vidya are left
alone together. She tries to engage him
in intellectual discussion, but he turns
her words to erotic illusion and romance.
Sundar's efforts at seduction almost succeed,
but at the last minute Vidya recoils from
his embrace, furious that he has tried to
compromise her virtue. He pleads that he
only wanted her to love him. She orders
him out, and he leaves crestfallen.
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Hira urges Vidya
to open her heart.
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Act
2, Scene 1
Vidya, confused and upset by the previous
night's events, is comforted by Hira, who
urges her to open her heart to love. The
King and Queen enter in a huff. They have
learned that a man was in Vidya's room and
accuse her of having given herself to a
thief. The maids come to her defense, insisting
that it was a god. The guards, two numskulls,
search the room, the tunnel entrance is
found, and the guards conclude the visitor
was a demon. All wonder who he really was.
Finally a plan is devised to test whether
the nocturnal visitor is a god, a demon,
or a man. Hira, having heard everything,
goes off to warn Sundar.
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Sundar, posing
as god,
drinks the sacred wine.
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Act
2, Scene 2
Vidya's quarters have been prepared for
the reception of a god. The chorus enters
in processional. As they chant, Sundar calls
from within the tunnel. Vidya tries to warn
him that a trap is set, but his voice gets
closer and closer until he finally emerges
in godly attire, playing his new role magnificently.
He pompously accepts the sacred wine which
will initiate the test and then proceeds
to perform incredible feats. First a golden
hue surrounds him and then fire spews forth
from his hands. The chorus chants wildly
and bows in obeisance, convinced of his
godhood. At the last minute, a snag in his
trickery reveals Sundar’s deception.
The crowd, furious, seizes him.
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Sundar and Vidya
make
their marriage vows in
their dream before god.
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Act
3, Scene 1
Sundar in his prison cell and Vidya in her
bedroom dream the same dream: A god appears
to them and instructs them in the true nature
of love. They come together in their mutual
dream and exchange wedding vows as the god
looks on. As the dream ends, Hira wakes
Sundar and helps him escape. Simultaneously
Vidya's maid wakes her. Each exclaims: "I
had a dream, the most beautiful dream...."
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Vidya unmasks
and
kisses Sundar.
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Act
3, Scene 2
In the palace courtyard, the debate between
the sannyasi (Sundar in disguise) and Vidya
is about to begin. The subject is the nature
of love as described in the ancient scriptures.
The sannyasi begins by quoting lines which
Vidya recognizes as the words she herself
spoke to Sundar when he tried to seduce
her. But how could the sannyasi know these
very words? Then the sannyasi repeats what
Vidya said in her dream the night before.
Can he read her mind? Vidya, rattled, can
barely respond. The crowd fears she is losing.
But gradually she begins to realize the
identity of the sannyasi and in a burst
of confidence, expounds magnificently. The
crowd is relieved. Sundar, angry and afraid
of humiliation, abruptly cedes the debate,
insisting that the Princess is indeed the
smarter one. Then to everyone’s surprise
Vidya insists that it is she who must yield
to him--the one man who has moved her heart.
She gently removes his disguise and they
kiss. The King, upon seeing the trickster,
orders the guards to hang him. Sundar pleads
for his life, reveals his true identity,
and declares his love for Vidya. He argues
that since he and Vidya have already made
their marriage vows before the gods, he
is already the King's son and the King can
hardly execute his own son! The Queen, realizing
that her daughter has finally made a good
match, convinces her husband to relent.
All ends happily as the couple is united.
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"THE
THIEF OF LOVE" DVD is available now! With great
music, innovative subtitles,and fabulous cinematography
this is an opera DVD for everyone (even if you've never
seen an opera belore). Click
here to learn more and buy one.
For more information
about The Thief of Love and for preview materials,
send
an e-mail now.
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